Daily Clock, Risograph Print
Situated under Overuse / Imbalance, Daily Clock reflects a condition in which productivity, efficiency, and self-discipline are overstretched. The regularity of the clock suggests control, yet the visual patterns expose fragmentation, delay, and exhaustion embedded within daily routines. Moments of rest and unproductive time are not framed as failures, but as unavoidable residues of living under constant temporal pressure.
By presenting time as a closed loop rather than a linear path, Daily Clock questions the assumption that better organization leads to better living. The work documents imbalance as a lived experience—where the body follows schedules it did not choose, and where repetition replaces intention. This project marks a critical point of tension in the larger inquiry, where overuse of time precedes any attempt at adjustment, care, or recalibration within everyday life.
《每日时钟》被归类于“过度使用/失衡”主题，反映了生产力、效率和自律被过度消耗的状态。时钟的规律性暗示着控制，但视觉模式却揭示了日常生活中固有的碎片化、拖延和疲惫。休息和非生产性时间并非被视为失败，而是生活在持续时间压力下不可避免的残余。
通过将时间呈现为一个闭合的循环而非线性路径，《每日时钟》质疑了“更好的组织带来更好的生活”这一假设。作品记录了失衡作为一种生活体验——身体被迫遵循它无法选择的时间表，重复取代了意图。这个项目标志着更大探究中的一个关键紧张点，即过度使用时间先于日常生活中的任何调整、关怀或重新校准的尝试。
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